primary caregiver

(july 2013)



Step one of growing older in the presence of the elderly: observe how the giants of your childhood wither into frailty
Step two: begin to second guess every eccentricity
Is this what they meant by signs to look for?
When did she get so small?
How could she have ever forgotten my birthday?
Step three: dance around her with the nervousness reserved for the ill.
She will look at you with the resentment that can only come from those whom illness has only left shame and regret.

Step four: begin to hold her hand again.

It is one to thing to care for the senescent
And another to do it in the house they raised you in.

In Your Old Age

Day 3- Find the nearest book (of any
kind). Turn to page 8. Use the first ten full words on the page in a
poem. You may use them in any order, anywhere in the poem.

Senescence is the great equaliser.

great men, average men,

men of faith, men of none

living life with the promise

that some of its secrets will be revealed

but all you will ever learn

are verbs like forgetting

and dying.

Bedtime Stories

I read to you because my mother read to me.
And in those moments I felt as loved and as safe as a strangely paranoid and anxious child could feel
-Certainly more safe than the rote prayers that my grandmother made me parrot back to her made me feel-
And for years
-long after I'd stopped remembering to pray-
I couldn't fall asleep without reading.

Diaspora Dysphoria

Look I write something! I’m actually trying to perform this for the One World show my school has every year. I just auditioned it today, so let’s hope for the best <3
Still have to work of some of it, but most of it is here.

Diaspora
Dysphoria

I
am a child of diaspora.

Last
name I have no ties to,

First
name my mother heard on Sesame Street,

Names
give me no solace.

My
mama’s mama was a product of love soured

By
a nationwide obsession with race and colour:

A
story of a baby too brown

For
anyone but her mother to love.

A
story that comes back ‘round to me when they say,

‘Psst,
t’ick sauce wit’ de nice hair.’

They
call me dougla.

By
the time I outgrew my obsession with bindis and tikas

And
my one true dream to be bollywood dancer,

Classmates
told me I was too proper to be black.

They
call me dougla.

But
ever so often I throw around mulatto

And
try and forget the oppression behind it.

Two
generations later, I have no ties to coco panyol

Other
than passing mention.

The
only name I have for this,

The
only name I have for me,

Is
confused.

At
home they say, ‘dougla, what yuh mix wit’?’

But
here they say black is black.

‘Are
you ashamed?’

Am I ashamed?

Not
of the blackness

Or
the whiteness

Or
the Indian-ness

Or
the Syrian-ness

Or
the whatever-else-it-have-ness.

Just
confused.

Because
things like race have always baffled me.

Because
race implies someone must win.

Because
when I look in the mirror

And
I see the roundness of my nose,

The
curliness of my hair,

The
sharpness of my cheeks

And
the brownness of my skin,

I
am neither ashamed nor confused;

just
euphoric.

mama doesn’t want to grow old

mama doesn’t want to grow old.
bones breaking,
mouth drooling,
jaw slack,
some one to
clean you
change you
chew and swallow for you.
mama saw her mama
whither.
prisoner
of her feeble body,
jailed
by her failing mind.
a sliver
of a shadow
of her former self.
mama doesn’t want
to lose her mind
or be trapped
as her body
crumbles.
mama wants me
to cut her off
to unplug her
to give her the red pill
and release her.
but mama doesn’t
think about after
mama doesn’t
think about me.
because
when they ask
‘where’s your mama?’
i’ll just say,
‘mama?
mama’s dead.
i killed her.’