To The Stump In my Garden

Day 7- Take a walk until you find a
tree you identify with, then write a poem using the tree as a metaphor
for yourself or your life.

To the stump in my garden that has begun to sprout

Mere days after its branches have been shorn:
Teach me whatever lessons you have learned

How to give thanks for your still solid roots

And how to recalibrate the hardened fibres of your bark

And make life once more.

Tensions

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I am beginning to name my knots.

Let one in my neck be Wanting

from every time I clenched my jaw after breathing in her scent.

Let the tightness in my shoulder be Disappointment who is also called Shame

a product of still wanting him to touch me

even though we both know he shouldn't

and being caught between recoiling and not.

Finally, the chronic ache in my back will be Distance

from consistently loving people that are too far away.

In the same way one muscle contracts as the other relaxes

these pains are interconnected

and I know that all these names mean the same thing:

I hold on for far too long and I need to learn to let go.

Going With The Tides

Going With The Tides
A Haiku Pair
  
 Loneliness sometimes

lingers like cold in your bones
and damp in your soul,
even when the tides
that washed it up have long since
moved to other shores.

On the Distribution of One’s Heart

On the Distribution of One’s Heart
(A Haiku Quintet)
I had given my
heart to someone who
didn’t
know how to hold it.
Instead, they cradled
it like an adolescent
with a stranger’s
child:
awkward and uneasy,
with a fear of falling
head first and snapping.
I gave my heart to
someone who didn’t
quite want
it and was surprised
when they gave it back.
They said to keep it
safe, but
their fingers left
bruises.

Chennette

I was born like a chennette:
My green mother-
sliced open down the middle,
And me- squeezed out.
 Pink, sticky, sour.

Drowning

Drowning
(A Haiku Pair)

I am drowning. You
have oversaturated
me, but I need it.
You overwhelm me.
I gasp for air but choking
never felt so good.

Coming Out


I read that we never get
to stop coming out.
Well I came out to myself the other day,
Stepped out of my glass closet for a moment,
Well, not so much a class closet than one of those
Cabinets old people use to store their china
I am transparent, the way I hoard your gifts,
Your presents, your presence.
I never tell the ones who need to hear it the most.
Instead I let it rest on my lips the way I wish yours would
And flitter round my tongue the way I want yours to,
But I can’t.
Because I only tell you in sighs I hope you read
Or maybe see it in my gazes that linger too long
Or notice how I touch you too often, sit too close,
Smile too much.
I am transparent in my cabinet as I watch your hands
Dance across tabletops.

But I would never come out to you.
I much rather confess to strangers on the internet,
Or in ambiguously phrased verse,
That I dream about you at night
And I think of you all day
And while I may joke about others,
Everything I say I love about them,
Just reminds me of you.

Sea Shanty

I wrote this on the offhanded request of a friend. She said that her OTP (One True Pairing), was sand and salt water. And I take inspiration where ever I can get it.

Sea Shanty
You are the salt of my earth,
Said the tide to the
shore.
Leaving sweet nothings
In pools filled with
stars
As the moon’s siren
song
Pulled them further
apart.
Palm trees with their
heads
buried in the clouds
promised he’d return,
You could hear it
in the crashes of the
waves.
But every time you
leave,
You wear me away,
The shore whispered
back.

An Education

I want to learn the
language your body speaks,
Whispered by your hips
as you move,
Decode the ciphers
between your sighs.
I have learned the
angle of your slouch,
The spread of your
fingers
And the coil of your
curls.
There is a science to
you I have not yet learned.
I have learned the
contours of your face
The locations of your
moles
The longitude and
latitude of your dimples
The length and breadth
of your smile
Better than I ever
learned geography.
Maybe I’d map those
contours of your face
(Which I’ve already
committed to memory)
but I can’t.
To recreate the
brownness of your skin
is more motivation than three years of art
Ever were.
Writing commits you to
memory.

Death Throes

Morbid fascination
kills me again and again.
These are the death throes
Of our potential.
This is the not the martyrdom
I try to tell myself it is.
It is assisted suicide.
Nor is it the first time-
Reincarnation ad nauseam,
Same me, different yous-
Till nirvana:
A state I cannot reach.
It sickens me,
The way I crave
Your attentions.
Like Tantalus I thirst
And am never satisfied.
You bloom perpetual
While I fade like echoes.

Jeweled fruit that fall
From your lips
Into my ears
Sweet fruit, biting aftertaste,
Like soured wine to the dying man,
Leaves me empty and bitter.
I am killed softly
By the words you never speak.